With the added element of King Kong, a fearsome beast protective of something too beautiful to allow harm to come to it, it became one of the greatest films ever made. If this was only an extraordinarily polished jungle adventure, it would be a film classic simply on the basis of Wray's performance and a timeless 1930's sense of style and adventure. Wray is simply wonderful at the beginning of King Kong, making viewers fall in love with her Ann Darrow long before Kong appears.
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Her importance to the success of King Kong is often not given its full due due to the staggering technical achievements behind the camera, often overshadowing everything else. She made an easy transition to sound, her lovely presence and vulnerability boosting many early talkies from average to worth watching. She had graced many silent productions, including Coast Patrol, Street of Sin, The Wedding March, and Paramount's last silent, The Four Feathers, where she worked with Merian C. King Kong was much more than a girl screaming as a huge ape held her in his palm, just as Fay Wray was much more than a "B" icon with one great sound film to her credit. Shoedsack helmed this fabulous RKO film from an idea by Cooper and Edgar Wallace. A new bar for adventure was set, and the film which raised it was King Kong. RKO would make the most supreme adventure of all time and in 1933 change the expectations of moviegoers forevermore once the lights dimmed and their logo adorned screens across America. "Saturday afternoons were made for great adventure yarns, and serials dating all the way back to the silent era played upon our love of a rousing good jungle story, filled with danger and the thrill of discovery, with just enough romance thrown in to suggest love sprung from such exciting endeavors.